50/50

His travels replace panic with melancholy

Plot

Edward, a civil servant, runs away from his fiancée Molly on their wedding day in Rangoon, 1917. Molly, ready to marry, amused by his escape, pursues him across Asia. Portugal's official entry for the "Best International Feature Film" category at the 97th Academy Awards in 2025.

The first chapter follows Edward as he runs away from his fiancée Molly and embarks on a roadless journey

Miguel Gomes Grand Tour is a visually captivating film that feels like a love letter to Asia, celebrating its rich cultural heritage and landscapes. Each shot is carefully composed, with meticulous attention to framing and timing, creating a sense of immersion that invites the viewer into the world of the film. The use of real locations adds depth and authenticity, making the setting feel like an integral part of the story rather than just a backdrop.

This section feels disjointed and almost lost, much like Edward himself

While the film reflects his emotional state, he wanders aimlessly, with no clear path, letting chance encounters dictate his path. In contrast, the second chapter, which follows Molly’s determined pursuit of Edward, has a more defined purpose. As she chases him across Asia, the narrative feels tighter, with more focus and direction.

The dialogue, mostly in Portuguese, was a refreshing highlight and I found myself wanting more

Molly’s clear goal helps guide the audience along her journey, making it easier to relate to her. It’s rare for me to see a film where the Portuguese language takes center stage and it adds another layer of uniqueness to the film. Ultimately, Grand Tour is a beautiful and contemplative work filled with stunning visuals, a soundtrack and an obvious sense of care in every frame.

It's clear why Gomez was voted best director at Cannes, his passion for story and setting is palpable at every moment

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